SOME REASONS WHY ORIGINAL ART IN THE HOME IS AS IMPORTANT AS A BED
1. Creates Mood
2. Adds Personal Character to the Home
3. Makes Memories
4. Provides a Colour Palette
5. Makes a Room Feel Finished
6. Inspires and Fosters Creativity
7. Conversation Starter
8. Supports Artists
9. It is an Investment
10. Creates a Livable Environment
11. Keeps the Brain Active
12. Relaxation
13. Curating Your Own Gallery is Fun!
Workshops
- Details
- Category: Arts Journal
Frozen Landscapes: Hands on Music from Antarctica, by Gareth Farr (NZ), with Helen Webby, Michelle Velvin and Sasha Henderson
Tuesday 22nd July
Helen Webby, Michelle Velvin and Sasha Henderson invite harpists of all levels to join them in a workshop read-through of Frozen Landscapes, by New Zealand composer Gareth Farr, arranged for community harp ensemble by Helen Webby.
Inspired by, and named after the continent of Antarctica, where Gareth was Artist in Residence 2006, the three movements evoke the snow capped peaks, huge crevasses and delicate ice patterns of the frozen continent.
The ensemble parts are available for free download on the link below.
Harp 1 (advanced), Harp 2 (intermediate), Harp 3 (easy), Harp 4 (very easy). Some of the parts are sighreadable, and other parts require some practice!
Helen, Michelle and Sasha will lead the parts in the workshop, and are delighted to play this expanded ensemble version with World Harp Congress harpists!
Everybody is welcome to join us on Wednesday afternoon 4pm, when we perform Frozen Landscapes as a flash mob in central Sydney. Venue to be confirmed!
Ensemble part avialable for download HERE
Improvising with Preparations and Extended Techniques, with Anne LeBaron
A two part workshop on Thursday 24th and Friday 25th July
In her workshops, Anne LeBaron will introduce her arsenal of extended techniques for acoustic prepared harps, using metal and paper preparations, bows, and glass and metal slides in a supportive and improvisatory setting. To complement these explorations and give them an outlet, participants will also become acquainted with Terry Riley’s iconic masterpiece, “In C”, a seminal early minimalist piece, by first rehearsing it with standard playing techniques. Subsequently, they will discover fresh ways of playing the cells of the piece with their newly acquired resources, culminating in a unique rendition of a work that has been performed over the past half-century by countless different ensembles, but none resembling this World Harp Congress workshop group. During the workshop process, an exciting atmosphere of adventure will permeate the atmosphere and lead to many more discoveries as the performers experiment with the infinite array of novel sounds available on the harp.
Fun Latin rhythms & special effects, with Alfredo Rolando-Ortiz
A two part workshop on Thursday 24th and Friday 25th July
SIGN UP DURING CONGRESS:
Basics of improvisation - Learning from Asia, Africa and medieval Europe, with Rüdiger Oppermann
Monday 21st July
Celtic harp seminar and workshop, with Ann Heymann (USA)
Monday 21st July
Harp maintenance workshop, with Liza Jensen
Monday 21st July
Harp maintenance workshop, with Jason Azem
Tuesday 22nd July
Boom Chicks and Tiddly Bits - using the harp effectively in a jam session with emphasis on Celtic and other folk styles, with Andy Rigby
Tuesday 22nd July
Injury prevention for harpists, with Bronwen Ackermann
Wednesday 23rd July
Learn a Breton tune, with Christine Morphett
Wednesday 23rd July
Free Jamming Session
Wednesday 23rd July
Maintenance for lever and historical harps, with Brannden Laselles
Thursday 24th July